Streaming platforms have become a home for bold crime narratives, and Cheekatilo is one such addition to Prime Video’s catalogue. Directed by Sharan Koppisetty and fronted by Sobhita Dhulipala, the film sets out to tackle patriarchy, sexual abuse, and the ethics of sensationalist media. While its intentions are admirable and its atmosphere suitably tense, the execution doesn’t always match the ambition—especially when it comes to the final act.
Story
Sobhita portrays Sandhya Nelluri, a Telugu journalist and TV crime show host whose criminology background is sidelined in favour of ratings-driven sensationalism. Disillusioned with her job, Sandhya quits after clashing with her boss and is encouraged by her friend Bobby to start a podcast focusing on real crime stories.
Before the podcast takes shape, tragedy strikes—Bobby and her partner are murdered by a masked assailant. Determined to find the truth, Sandhya joins forces with the police to investigate a series of killings marked by ritualistic elements like jasmine flowers and cowbells. While the mystery unravels, convenient plot turns and unrealistic investigative liberties occasionally weaken the narrative drive.
Performances
In a role that demands both restraint and conviction, Sobhita Dhulipala delivers a confident portrayal, with precise dialogue delivery and expressive body language. This performance could open doors for more women-led projects in Telugu cinema.
Vadlamani Srinivas makes a strong impact in a pivotal role, while Chaitanya Krishna, Isha Chawla, and veteran actor Suresh lend weight to the supporting cast. Interestingly, the antagonist’s presence often feels more layered than the protagonist’s emotional journey, which may leave viewers with a stronger impression of the killer than the lead.
Behind the Scenes
Sricharan Pakala’s background score heightens the suspense, and the soundtrack complements key moments effectively. The editing team uses creative transitions and well-timed cuts, while the art department convincingly recreates crime scenes and investigative details. Costuming reflects character personalities without distraction.
Cinematographer Mallikarjun crafts visually compelling frames with atmospheric lighting, although some digital grading could be sharper. Chandra Pemmaraju’s screenplay shows attention to detail, and Sharan Koppisetty’s direction keeps the message of women’s empowerment in focus—albeit with occasional lapses into surface-level storytelling.
Final Verdict
Cheekatilo sets out to be more than just another murder mystery, aiming to spark conversations about abuse, survival, and accountability. While its premise and performances make it worth a watch, narrative conveniences and emotional detachment prevent it from realising its full potential.
For crime drama enthusiasts and viewers seeking socially conscious storytelling, this film offers enough intrigue to engage—just don’t expect a flawless finish. Sandhya’s arc concludes with a symbolic reclaiming of space, but not all characters get closure, reflecting the harsh realities the film wants to address.
