Prime Video’s The Family Man returns with its third chapter, and it’s clear from the first episode that this is no ordinary espionage thriller. Steering away from relentless action, creators Raj & DK deliver a refined, slow-burn narrative that’s equal parts political intrigue, family drama, and emotional reckoning. Manoj Bajpayee reprises his role as the ever-resourceful Srikant Tiwari, but this time the stakes are deeply personal—and far more dangerous.
Story
Set against the picturesque yet politically charged backdrop of Northeast India, The Family Man Season 3 picks up after the events of Season 2. The National Investigation Agency launches Project Sahakar, aimed at ending violence and promoting peace in the region. But before the initiative can take root, coordinated bombings disrupt multiple states, triggering chaos.
Srikant travels to the Northeast to assist NIA Chief Kulkarni, but when Kulkarni is assassinated, suspicion falls on a rebel group led by Stephen (Paalin Kabak). Soon, Srikant finds himself framed, suspended, and hunted by his own agency—Threat Analysis and Surveillance Cell (TASC). The real adversary? Rukmangada “Rukma” (Jaideep Ahlawat), a man driven by grief, vengeance, and complex loyalties.
Compounding his problems, Srikant’s marriage with Suchi (Priyamani) teeters toward divorce, affecting their children Dhriti (Ashlesha Thakur) and Atharv (Vedant Sinha). As personal and professional crises converge, Srikant must navigate deception, political undercurrents, and looming threats—all while protecting his family.
Performances
Manoj Bajpayee proves yet again why Srikant Tiwari is unforgettable. His portrayal blends stoic intelligence with raw vulnerability, making every scene impactful. Jaideep Ahlawat’s Rukma is a refreshing antagonist—layered, grounded, and human. Sharib Hashmi as JK Talpade infuses warmth and humor, while Paalin Kabak delivers a measured performance as the conflicted Stephen.
Priyamani captures the emotional strain of Suchi’s journey, and Ashlesha Thakur’s Dhriti matures into a strong, pragmatic presence. Vedant Sinha’s Atharv shines in moments where family bonds take center stage. Brief appearances by Nimrat Kaur add depth, though her character feels underdeveloped.
Behind the Scenes
Raj & DK, along with writer Suman Kumar, weave a plot that avoids exaggerated heroics in favor of nuanced storytelling. Political themes—especially those tied to Northeast India—are handled with sensitivity, balancing realism with drama. The scenic Northeast serves as both a visual treat and a symbolic space where beauty meets volatility.
The pacing is deliberately slow in the first half, focusing on character arcs and emotional beats before shifting gears into thrilling sequences. The cinematography captures quiet tension, while sharp editing ensures that each twist carries weight.
Final Verdict
The Family Man Season 3 may not deliver relentless high-octane action throughout, but its slow-burn approach rewards patient viewers with rich character development, emotional payoffs, and thought-provoking political commentary. While the absence of a truly fearsome villain and certain underexplored characters leave room for improvement, the performances—especially from Bajpayee and Ahlawat—make it a compelling watch.
If you’re a fan of nuanced spy dramas and layered storytelling, this season will draw you in. And with several unanswered questions, Season 4 promises to raise the stakes even higher.
Raj & DK’s ‘The Family Man 2’ to stream in June
‘The Family Man Season 2’ gets ready to stream on June 4
‘The Family Man 2’ Review : Pulsating narrative and towering performances mark the new season
