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“Parasakthi” Review: Sivakarthikeyan Shines in Sudha Kongara’s Bold Period Drama

Pradeep Kamadana by Pradeep Kamadana
January 10, 2026
in Entertainment
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"Parasakthi" Review

"Parasakthi" Review

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Parasakthi, starring Sivakarthikeyan and directed by Sudha Kongara, hit theatres on Saturday January 10 amid high anticipation. Produced by Aakash Bhaskaran under Dawn Pictures, this historical political action drama transports viewers to the turbulent 1960s, a time of cultural resistance and social upheaval. With a stellar ensemble cast including Atharvaa Murali, Ravi Mohan, Sreeleela, Dev Ramnath, Prithvi Rajan, Guru Somasundaram, and Basil Joseph, the film aims to combine commercial entertainment with thought-provoking socio-political themes.

Story

At its heart, Parasakthi follows Chezhiyan (Sivakarthikeyan), a humble railway fireman committed to securing a better future for his younger brother, Chinna (Atharvaa Murali). Chezhiyan’s peaceful existence is disrupted when Chinna becomes actively involved in student protests against Hindi imposition. Concerned for his safety, Chezhiyan tries to discourage his activism.

A trip to Delhi for a TTR interview turns into a turning point when Chezhiyan is rejected over his limited Hindi skills. Witnessing a tragic student suicide brought on by new language laws ignites his buried fury, revealing his past as a student leader of the legendary Operation Purananooru. As he reconnects with Chinna to join the rebellion, personal loss and the interference of a ruthless police officer (Ravi Mohan) force him to rethink his fight. What follows is a narrative steeped in brotherhood, resistance, and perseverance against political oppression.

Performances

Sivakarthikeyan delivers one of his most committed performances to date, effortlessly balancing tender emotional beats with high-energy action. His chemistry with Sreeleela, though brief, adds a lighter touch to the otherwise intense storyline. Atharvaa Murali impresses as the fearless student activist, although a deeper exploration of his character could have added more emotional weight.

Ravi Mohan steps into antagonist territory with a cold, commanding presence, but his character’s underdeveloped backstory leaves him short of becoming a truly memorable villain. Sreeleela, in her Tamil debut, shows promise but struggles with language authenticity, and her overly glamorous styling occasionally breaks the period feel.

Behind the Scenes

GV Prakash’s score, especially the stirring Senai Kootam, enriches the protest sequences, while Ravi K Chandran’s cinematography and Sathish Suriya’s crisp editing effectively recreate the 1960s atmosphere.

Sudha Kongara’s vision of merging historical significance with mainstream appeal is evident, particularly in the film’s strong first half. The mid-film reveal of Chezhiyan’s hidden past is smartly placed, keeping audiences engaged even if slightly predictable.

However, the second half falters with pacing issues and the inclusion of cameo appearances by Rana Daggubati, Dhananjay, and Basil Joseph, which feel forced and reminiscent of Jailer. Some exaggerated sequences, such as the antagonist walking through fire, detract from the realism.

Final Verdict

Parasakthi is a politically charged period drama that resonates with themes still relevant in modern India. Despite uneven pacing and underwritten supporting roles, the film succeeds in portraying the spirit of resistance against cultural imposition. Sivakarthikeyan’s earnest performance and Sudha Kongara’s ambitious storytelling make it worth a watch, particularly for fans of historical dramas with political depth.

Tags: anti-Hindi movementAtharvaa MuraliGV Prakash musicParasakthi movie reviewRavi MohanSivakarthikeyanSudha KongaraTamil cinemaTamil period drama
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Pradeep Kamadana

Pradeep Kamadana

Writer, Blogger & Film Critic

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