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“Kennedy” Review: Anurag Kashyap Exposes Corrupt Symbiosis of Politics and Law Enforcement

Kaypeekay by Kaypeekay
February 20, 2026
in Entertainment, Films, Reviews
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Anurag Kashyap's "Kennedy" Review

"Kennedy"

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Anurag Kashyap, a filmmaker celebrated for his distinct and often dark narratives, is set to captivate audiences once more with his latest neo-noir thriller, Kennedy. Following an impressive run at prestigious international film festivals like Cannes and Mami, this eagerly anticipated feature premieres on Zee5 on February 20, 2026. Starring Rahul Bhat in the titular role alongside Sunny Leone, Kennedy promises a deep dive into a world of moral ambiguity, corruption, and psychological complexity, offering viewers a gripping experience that harks back to Kashyap’s signature style.

Story

The narrative of Kennedy centers on Uday Shetty (Rahul Bhat), a former police officer battling chronic insomnia, presumed dead by the public. Under the new identity of Kennedy, he navigates a shadowy existence as a contract killer operating within a deeply corrupt system. His life, already fraught with darkness and isolation, takes an unexpected turn upon meeting the enigmatic Charlie (Sunny Leone). This encounter forces Kennedy to confront his inner demons, the ethical dilemmas of his actions, and the profound consequences of his choices. The film intricately weaves a plot of a staged kidnapping and a web of extortion, set against the backdrop of Mumbai during the pandemic, expertly capturing the city’s palpable sense of isolation and fear.

Performances

Rahul Bhat delivers a powerhouse performance as Uday Shetty/Kennedy, embodying the insomniac, emotionally guarded cop with remarkable intensity and control. His nuanced expressions and body language eloquently convey layers of pain and suppressed rage.

Sunny Leone, as the mysterious Charlie, offers a grounded and believable portrayal of a woman desperate to escape her past. Supporting roles are equally compelling: Mohit Takalkar exudes calm menace as the corrupt Commissioner Rasheed Khan, while Shrikant Yadav’s Abhijeet Kaale feels authentically plucked from the streets of Mumbai. Abhilash Thapliyal adds a unique, almost poetic dimension as Chandan, a spectral figure guiding or haunting Kennedy.

Behind the Lens

Kennedy feels like a triumphant return to form for Anurag Kashyap, exhibiting a sharp energy reminiscent of his earlier works, coupled with a newfound sense of control. The film pays homage to Sudhir Mishra, particularly invoking the nocturnal mood of Is Raat Ki Subah Nahi.

Sylvester Fonseca’s striking cinematography is pivotal, with every frame imbued with tension, capturing dimly lit rooms and weary faces to underscore ever-present danger. Kashyap masterfully experiments with sound and silence, light and darkness, creating an immersive experience. A standout scene features a murder set to Tchaikovsky’s violin concerto, brilliantly contrasting beauty with brutality, affirming Kashyap’s uncompromised vision.

Final Verdict

While its deliberate pace and rich symbolism might challenge some viewers, this approach is undeniably one of Kennedy‘s greatest strengths. Anurag Kashyap fearlessly explores the uneasy alliance between politics and law enforcement, crafting a dark, layered, and unapologetic crime drama. It builds steadily towards a satisfying conclusion, a rarity in the genre. Kennedy is a stark reminder of Kashyap’s prowess when he trusts his instincts, leaving a profound impact that resonates long after the credits roll. It’s an essential watch for fans of neo-noir and thought-provoking Indian cinema.

Also Read:

“Kennedy” OTT Release: Where and When to Stream Anurag Kashyap’s Gritty Neo-Noir Masterpiece

Tags: Anurag KashyapBollywoodCannesCharliecinematographycorruptioncrime dramafilm festivalIndian cinemaKennedyMamiMohit TakalkarMovie ReviewMumbaineo-noirPandemicPerformancesRahul BhatSudhir Mishra.Sunny LeonethrillerUday ShettyZee5
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Kaypeekay

Kaypeekay

Movie buff and film critic. Interested in Hollywood and foreign language films. Science fiction, fantasy, and suspense thrillers are the favourites.

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