The 2025 MAMA Awards were intended to be a grand celebration of K-pop’s finest — filled with show-stopping performances, emotional reunions, and record-breaking wins. However, the two-day spectacle took a darker turn, leaving fans across the globe deeply concerned about idol safety after a series of unexpected on-stage and backstage accidents resulted in multiple high-profile injuries.
What should have been a festive occasion highlighting artistry and talent quickly became a sobering reminder of the physical demands idol performers face. By the end of the event, three prominent artists — (G)I-DLE’s Minnie, Stray Kids’ Lee Know, and aespa’s Winter — were all seen departing the venue in wheelchairs.
The first incident unfolded during Day 1, when (G)I-DLE delivered their dynamic live stage of “Good Thing.” Unknown to viewers at the time, member Minnie had already injured herself earlier during rehearsals. According to bandmate Miyeon, Minnie strained her foot after misstepping from a stage prop. Despite visible discomfort and moments of limping during the performance, she pressed on with professionalism. The seriousness of her injury became undeniable when she was later photographed at the airport in a wheelchair, unable to walk unaided.
Day 2 saw another alarming moment — this time involving Lee Know of Stray Kids. During a quick transition between segments, Lee Know reportedly twisted his ankle while descending a set of stairs. Even with the injury, he completed the group’s performance seamlessly, masking his pain from the audience. However, when Stray Kids accepted their “Album of the Year” Daesang, fellow members were observed discreetly supporting him. Later images from the airport showed him in a wheelchair, with Lee Know assuring fans the precaution was due to long walking distances rather than inability to stand.
The final incident occurred during aespa’s performance of “Dirty Work” and “Rich Man.” At the start of the set, Winter’s guitar prop malfunctioned, with sharp metallic elements breaking off and injuring her hand just seconds into the song. Despite the injury, she completed the demanding choreography, visibly guarding her hand throughout. Even during award acceptance moments, she kept her hand carefully positioned to prevent further strain.
In just 48 hours, these three injuries have sparked intense discussion among fans and industry insiders. Many are calling for improved rehearsal safety, stricter prop inspections, and more realistic performance demands to protect artists from preventable harm.
While the 2025 MAMA Awards will undoubtedly be remembered for its breathtaking stages and historic wins, it may also be marked as a turning point in conversations about idol welfare — underscoring the resilience of performers and the urgent need for better safety practices within the K-pop industry.
