In line with the festive spirit of Vinayaka Chavithi, fresh cinema offerings have arrived to delight viewers. Alongside Nara Rohit’s Sundarakanda, a compact film titled Kanya kumari premiered on Wednesday. The story stars Sricharan Rachakonda and Geeth Saini in the lead roles, under the direction of Srujan Attada and the banner of Radical Pictures, presented by Madhushalini. Producer Bunny Vasu, impressed by the premise, has taken on distribution duties. A host of celebrities have been seen promoting the picture, adding to its buzz.
Story
Tirupati (Sricharan Rachakonda) is a young farmer from Pentapadu, a hamlet in Srikakulam. As a child, while his classmates dreamed of becoming doctors, engineers, or bureaucrats, Tirupati declared his ambition to tend the fields. When his teacher suggested that formal schooling was unnecessary for a farmer, he left school and continued to work alongside his father.
Tirupati faces the same obstacle many rural men encounter—no one is willing to arrange a bride for him because of his occupation. Determined, he approaches his uncle, boldly stating that he will secure a spouse for a job‑seeker, not for himself, and challenges the uncle to find a well‑educated girl for him within a year. Despite repeated attempts, suitable matches elude him.
Across the border, Kanyakumari (Geeth Saini) endures a parallel struggle. Though she has earned a degree, circumstances force her to work in a small clothing shop rather than pursue an engineering career. She sets strict conditions for her own marriage, insisting on a partner who meets her standards, and becomes increasingly frustrated by the lack of prospects.
One day, while riding an auto‑rickshaw to her workplace, the driver mentions a friend searching for a bride. He introduces the two strangers, only to discover that Tirupati and Kanyakumari attended the same school as children. Kanyakumari initially rejects the proposal and walks away, but Tirupati is instantly smitten and resolves to win her heart at any cost.
Soon after, Kanyakumari receives a marriage proposal that aligns with her criteria and accepts. This event triggers the central conflict: will she follow the path laid out by societal expectations, or will she acknowledge the affection blossoming for Tirupati? The narrative follows her inner battle, the lengths Tirupati goes to nurture his love, and the eventual outcome of this village romance.
Performances
Geeth Saini shines as Kanyakumari. The script revolves around her character, and she delivers a nuanced portrayal that balances aspiration with vulnerability. Her command of the regional accent adds credibility, and she convincingly drives the film’s emotional core.
Sricharan Rachakonda, as the earnest farmer Tirupati, brings a grounded, relatable quality to his role. His subtle acting suggests a promising future in the industry.
The ensemble—Layaneshwar and Hansini Reddy as the protagonists’ childhood selves, the seasoned village elder, and the rest of the supporting players—offers competent performances that complement the leads.
Behind the scenes
Music composer Ravi Nidamarthi supplies a soundtrack that aligns perfectly with the film’s fresh tone, delivering melodies that feel both contemporary and fitting for a rural setting. Cinematographer Shiva Gajula captures the village’s natural beauty with clarity, while editor Naresh Adupa assembles the scenes with competence, ensuring the story’s flow remains intact.
Producer Radical Pictures appears to have allocated resources in line with the narrative’s needs, allowing the director Srujan Attada to present his vision without compromising on visual or auditory quality.
Final Verdict
Every love story arrives with its own flavor, and Kanyakumari offers a fresh, rustic take on romance. Set against an unembellished village backdrop, the film strives for an “organic” love narrative—one that feels unpolished, sincere, and rooted in everyday life.
The chemistry between a carefree farmer and an ambitious, educated village girl creates a compelling contrast. The film realistically portrays the stigma a farmer faces when seeking a bride, a circumstance that resonates with many rural communities. Likewise, Kanyakumari’s plight—holding a degree yet working in a shop she dislikes—captures the frustration of many young women fighting against limited opportunities.
Kanyakumari succeeds in delivering a sincere, down‑to‑earth love story that feels genuine to its rural roots. While the film occasionally suffers from a sluggish tempo and a lack of deeper emotional layers, its strengths lie in authentic performances, relatable themes, and a heartfelt portrayal of love that grows like a cultivated field. It may not reach the dramatic heights of blockbuster romances, but it offers a commendable, organic take on affection in a village setting—an effort worth appreciating.
