As audiences around the globe continue to discuss the impact of Parasite, the film’s beloved actors, Choi Woo-shik and Jang Hye-jin, reunite for a new cinematic venture titled Number One. This poignant film is helmed by director Kim Tae-yong, known for his work on A Giant, and promises to deliver an emotional narrative that resonates with viewers this winter.
On January 29, the cast and crew gathered for a press screening and media conference at CGV Yongsan I’Park Mall in Seoul. During the event, Choi Woo-shik, Jang Hye-jin, Gong Seung-yeon, and director Kim Tae-yong engaged in meaningful discussions about the film’s intimate themes and their personal experiences working together.
Number One tells the story of Hamin, brought to life by Choi Woo-shik, who discovers that the number associated with his life diminishes each time he enjoys a meal prepared by his mother, Eun-sil, played by Jang Hye-jin. Upon realizing that a countdown to zero signals his mother’s impending death, Hamin embarks on a desperate quest to shield her from this heartbreaking fate.
Revisiting the dynamic of mother and son that they portrayed in Parasite, Choi Woo-shik and Jang Hye-jin bring an even richer emotional depth to their roles. Joining them is Gong Seung-yeon, who plays Rye-eun, Hamin’s girlfriend, adding warmth and complexity to the narrative with her vibrant performance.
Director Kim Tae-yong, who has often focused on stories of marginalized individuals, stated that he seeks to explore new thematic avenues with this project. “It’s like transitioning from a ballad singer to a dance artist,” he expressed. “Having made films in my 20s, my perspective has broadened in my 40s. This work reflects the idea that ‘a lack is not a flaw but a possibility,’ and I aimed to express my own vulnerabilities while bringing comfort to those who relate to similar experiences.”
Adapted from Uwano Sora’s novel “You Have 328 Chances Left to Eat Your Mother’s Home-Cooked Meals,” the film’s title was modified to Number One for brevity and significance. Kim explained, “The title reflects both the final number and the idea that the mother is ‘number one,’ central to the narrative.”
Set in Busan, the film’s location holds a personal significance for the director. He mentioned, “Being from Busan, I felt that media often portrays its people in a negative light. I wanted to shed light on their multifaceted nature.”
For Choi Woo-shik, working in a regional dialect marked a new challenge. “I felt immense pressure,” he admitted. “Following the success of A Giant, I was eager to elevate my performance. Under the guidance of the director, I aimed for authenticity and fun in my portrayal. Both Jang Hye-jin and Kim supported me as we refined our timing together on set.”
Reflecting on his decade-long journey since collaborating with Kim Tae-yong, Choi shared, “Back then, we were both inexperienced, but it was a fulfilling experience. Now, as seasoned actors, everything flows more effortlessly, and I truly enjoyed the process.” Reuniting with Jang Hye-jin, he noted, “In Parasite, our scenes lacked emotional depth, but this film allowed us to connect more authentically, making it feel natural.”
Jang Hye-jin candidly addressed her challenges with the dialect. “Having lived in Seoul for so long, my accent has changed, and I was torn between using my natural speech and being comprehensible. Initially, focusing solely on pronunciation hampered my acting, but I ultimately accepted that some nuances might be lost on viewers.”
Gong Seung-yeon characterized her role as Rye-eun as “flawed yet confident, acting as a bridge between mother and son.” She added, “I saw elements of the director in her character, which I aimed to embody.”
Director Kim Tae-yong expressed immense confidence in his cast. Celebrating Choi Woo-shik’s growth, he remarked, “I wanted to portray how he’s evolved as an actor. Seeing his performance on a larger screen is a delight. I’ve always regarded his acting in A Giant as a miracle, and that sentiment remains.”
Speaking highly of Jang Hye-jin, Kim reflected, “She became one of the greatest blessings in my career, fully grasping my vision.” He also praised Gong Seung-yeon, noting her charm and maturity.
Deeply personal for Kim, the film took on new significance during production. “I hadn’t spoken to my mother for a long time and learned of her passing while making this film. This loss altered my approach significantly. The trailer’s line about cherishing time resonates deeply with me.”
As the credits roll, Jang Hye-jin encouraged audiences to stay for a special moment. “The final credits reveal photos of parents, including those of the cast and crew. It’s a touching tribute that adds another layer to the film. Watching until the very end allows for a quiet unfolding of another story in your heart.”
